In her first shot, when Leia is seen from behind (with her trademark hair buns), she is played by a flesh-and-blood actor, Ingvild Deila. The filmmakers also pointed to a scene at the end of “Rogue One,” when the intercepted Death Star plans are delivered to Princess Leia - who has been digitally recreated to look like Carrie Fisher in the original “Star Wars” - as an appropriate and effective use of the technology. “It just made sense for this particular movie.” “We’re not planning on doing this digital re-creation extensively from now on,” Mr. (He noted that the actor Alden Ehrenreich had already been cast to play the young Han Solo in a coming film about that character.) Knoll said audiences would probably not see likenesses of Mark Hamill or Harrison Ford playing Luke Skywalker or Han Solo. If “Star Wars” films are still made in 50 or 100 years, Mr. I don’t imagine anybody engaging in this kind of thing in a casual manner.” He added: “It is extremely labor-intensive and expensive to do. This is a character that is very important to telling this kind of story.” “This was done for very solid and defendable story reasons. Knoll said he and his colleagues were aware of the “slippery slope argument,” that their simulated Cushing was opening the door to more and more movies using digital reproductions of dead actors. The Huffington Post called it “a giant breach of respect for the dead,” and The Guardian said it worked “remarkably well” but nonetheless described it as “a digital indignity.” But the technique has drawn criticism from viewers and writers. Lucasfilm and Industrial Light & Magic said their re-creation of Cushing was done with the approval of the actor’s estate. The effects experts and storytellers behind “Rogue One” (which was directed by Gareth Edwards and written by Chris Weitz and Tony Gilroy) say they have given careful thought to these issues and were guided by their reverence for this interstellar epic.
In doing so, they also waded into a postmodern debate about the ethics of prolonging the life span of a character and his likeness beyond that of the actor who originated the role.
This nefarious ally of Darth Vader and commander of the Death Star was played by Peter Cushing, the horror-film actor, who died in 1994.
#Age of rebellion character creation movie
For the creators of “Rogue One,” a film designed as a narrative lead-in to the original “Star Wars,” it was a chance to play with characters, vehicles and locations sacred to this series.īut as they revisited the 1977 George Lucas movie that started the “Star Wars” franchise, and gave fresh screen time to some lesser-known heroes and villains, the staffs of Lucasfilm and Industrial Light & Magic faced artistic and technological hurdles: most prominently, using a combination of live action and digital effects to bring back the character Grand Moff Tarkin. Making a new “Star Wars” movie can be like gaining access to a toy collection that has been amassed over four decades. Warning: This article contains spoilers about “Rogue One: A Star Wars Story.”
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